Well, that was quick. As soon as David has the twelve
tribes reunited, Sheba the Benjaminite (Saul’s tribe) incites a rebellion and
takes the northern tribes with him. In the ensuing chaos, Joab takes the
opportunity to murder Amasa and resumes his role as commander of David’s army.
A “wise woman” from Abel then negotiates with Joab and gives up Sheba so that
her city might be spared.
If the sword does not depart from David’s house (12:10),
it certainly doesn’t depart from Saul’s either. David hands over seven of Saul’s
sons and grandsons to be murdered by the Gibeonites – supposedly for a wrong
Saul had done them before (one that is never mentioned directly in the text).
When Rizpah, the mother of two of Saul’s sons, goes to great lengths to protect
their corpses, David finally arranges to have the bones of Saul and all his
sons properly buried in their ancestral home. Once again, a woman reminds David
of his humanity. Rizpah joins a long line – Abigail, the wise woman of Tekoa,
etc. We’re told: “After that, God heeded supplications for the land” (21:14).
In between accounts of battles with giants and a list of
David’s warriors, we get two poems – one very similar to Psalm 18 and David’s
official last words in oracle form (although he also speaks quite clearly in I
Kings 1-2). The psalm seems oddly placed, given that much of the book reveals
David’s lack of “cleanness” (22:21, 25). If anything, God’s deliverance is in
spite of David’s faults rather than a reward for his purity. Is it true what
this poem says of the LORD: “with the pure you show yourself pure, and with the
crooked you show yourself perverse” (22:27)? One could argue that’s exactly
what happens in chapter 24; the LORD responds with perverseness to the
crookedness David has exhibited throughout the book. A less jaded eye might say
that David’s character before the LORD is best preserved in the poetry attributed
to him and in the responsibility he takes for his actions. Perhaps we should
judge him in that light too – and not just by his mistakes and maneuvering.
The last episode in II Samuel deals with David’s
punishment for taking a military census. After all his legitimate crimes
against his fellow humans, why does the LORD get so upset over what “the anger
of the LORD” incites David to do in the first place? Is David relying too much
on military might and a healthy tax base and not enough on the LORD? (According
to I Chronicles 21:1, it is Satan who persuades David to count the people.) Regardless,
the king’s actions have a devastating ripple effect.
The prophet Gad offers David three alternatives, and the
king chooses pestilence over famine or foreign pursuit – saying “let us fall
into the hand of the LORD, for his mercy is great; but let me not fall into
human hands” (24:14). According to the text, thousands upon thousands die as a
result. David responds: “I alone have sinned, and I alone have done wickedly;
but these sheep, what have they done? Let your hand, I pray, be against me and
against my father’s house” (24:17). He does his best to take responsibility for
what he has done. Gad directs David to build an altar and offer burnt offerings
on the threshing floor of Araunah the Jebusite (which eventually becomes the
altar site for the Temple in Jerusalem), for which he insists on paying in full:
“I will not offer burnt offerings to the LORD my God that cost me nothing”
(24:24). At last, the plague ends – and the stage is set for the building of
the Temple under Solomon in I Kings.
What do you make of all this bloodshed and loss? How does
David’s story end? Keep reading! In the meantime, click on “comments” and add
your reflections…
Below is a really good song. Plus, it opens up an existential question--David's inner relation with an elusive God—looks/beneath/behind the biblical text—to an inner David--and it may even be suggesting that God asks of David, where are you?
ReplyDeletehttp://www.youtube.com/watch?v=PBo-n_17XU0&feature=share
Hallelujah Lyrics
Sung by Rufus Wainwright; from Shrek Soundtrack
Copyright © 1985 Leonard Cohen and Sony/ATV Music Publishing Canada Company.
I've heard there was a secret chord
That David played, and it pleased the Lord
But you don't really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty
in the moonlight
overthrew you
She tied you
To a kitchen chair
She broke your throne,
she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Maybe I've been here before
I know this room, I've walked this floor
I used to live alone before I knew you
I've seen your flag on the marble arch
love is not a victory march
It's a cold and it's a broken hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
There was a time you'd let me know
What's real and going on below
But now you never show it to me do you?
Remember when I moved in you?
The holy dark was moving too
And every breath we drew was hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Maybe there's a God above
And all I ever learned from love
Was how to shoot at someone who outdrew you
It's not a cry you can hear at night
It's not somebody who's seen the light
It's a cold and it's a broken hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
--If Leonard Cohen/Rufus Wainwright have something lasting here, it may be the contingency of his relation w God, and vice versa -- "remember when I moved in you."
Some of the contradictions and puzzles that appear in the David story may result from how little we have of it, how many written and oral sources there may have been, and how they may have been inconsistent—to some degree—as would be witness accounts of an event today—if they are honest, they will probably differ. “Sources” themselves may reflect different attitudes. Sometimes David is depicted as the perfect partner of an indwelling or in-speaking spirit of God, but sometimes (as with Bathsheba) he goes his own way. Perhaps there are at least two sources, one idealizing David, and the other seeing some of his flaws.
ReplyDeleteThe Leonard Cohen song sung by Rufus Wainwright suggests that David was sometimes puzzled by his closeness to God and the simultaneous otherness of God. And it suggests that sometimes that otherness, that distance, increases. Am I reading a modern-ness into David, or is it that cultural and historical distance, and the fragmentary nature of sources, have made it seem that inwardly David was more unlike a modern person than may have been?
So I am suggesting that the David story that we have is made up of snapshots of a larger story….